FoodReference.com Logo

FoodReference.com   (Since 1999)
 

Food Articles, News & Features Section

   Home       Food Articles       Food Trivia       Today in Food History       Recipes       Cooking Tips       Food Videos       Food Quotes       Who's Who       Food Trivia Quizzes       Crosswords       Food Poems       Cookbooks       Food Posters       Culinary Schools       Gourmet Tours       Food Festivals & Shows  

 You are here > Home > Food Articles >

Alvin Starkman Articles >  Enrique Flores: Oaxacan Artist

 

CULINARY SCHOOLS &
COOKING CLASSES

From Amateur & Basic Cooking Classes to Professional Chef Training
Over 1,000 schools & classes listed for U.S., Online & Worldwide

 

 

 

Enrique Flores: 
Philanthropic Oaxacan Artist has the Golden Touch

Alvin Starkman, M.A., LL.B. (Article archive)

Enrique Flores is one of the most prolific Mexican artists of his generation.  Of course having been mentored by the late great master of contemporary Mexican art, Rodolfo Morales, hasn’t hurt; nor has the fact that two of Oaxaca’s most prominent art galleries, Indigo and Arte de Oaxaca, were his patrons for many years.  But there’s no substitute for  hard work, talent, and vision, each characterizing Flores.

Flores has been exhibiting his work throughout Mexico and the United States since 1985. By the early 1990’s he began receiving global recognition as a significant force on the Latin American art scene, with exhibits in Japan in 1992, and Holland the following year. Heineken commissioned him to paint two murals for a US promotional campaign aimed at attracting Mexican-American consumers.  His stylizing of indigenous Mexican women, as well as the distinctiveness of his work were brought to the attention of art aficionados in the 1994 publication, ‘Arte y Alma de Oaxaca’ (Art and Soul of Oaxaca), supported by the Fine Art Gallery of New York; and in the 1998 landmark book, ‘Imagenes y Colores de Oaxaca’ (Images and Colors of Oaxaca). He illustrated a well-received children’s book, published in both Spanish and English by The Children’s Press, ‘Pájaros de la Cosecha’ (Birds of the Harvest). 

Enrique Flores, Oaxaca ArtistFlores was born in Huitzo, in the Mixteca region of Oaxaca, on July 1, 1963.  He started painting during his junior high school days in the late 70’s.  By 1980 his formal training had begun, studying drawing with Jesús Vásquez in Oaxaca while attending high school.  In 1981 he entered Oaxaca’s highly respected School of Fine Arts.  The following year he was off to an art college in Mexico City:  “But my goal had been to get into La Escuela de Pintura y Escultura,” Flores recounts. “Even though I had a recommendation from Rufino Tamayo, I wasn’t accepted because I didn’t have all my high school credits.  However, all worked out for the best because a friend introduced me to Rodolfo Morales.” They developed a close relationship.  Flores would regularly go to Morales’ studio in Coyoacan to chat and watch him at work, while Morales was pleased to have a young protégé upon whom he was able to impart technical advice. 

Enrique Flores, OaxacaUpon his return to Oaxaca from the nation’s capital, Flores entered Taller Rufino Tamayo (Rufino Tamayo Workshop), where he was able to live in one of the small studio apartments while enrolled in a two year apprenticeship.  He then studied under Maestro Juan Alcázar.  Not wanting to commute between Huitzo and Oaxaca, he found a flat in downtown Oaxaca. In 1988, after studying under Alcázar for three years, Flores returned to Huitzo, and has remained there ever since.  When Morales moved back to his hometown of Ocotlán in the late 80’s, the friendship was rekindled, with Flores meeting with Morales in Ocotlán, and periodically when Morales would be in Oaxaca.

“Sure Morales was my primary mentor over the years,” Flores readily acknowledges, “but his work has provided a significant stimulus for well over half of the artists in Oaxaca.  However if you examine my work carefully, it should become apparent that I’m a student of a number of the impressionists, in particular Monet and Gauguin.  I consider them to be very strong influences in my work; just look at my use of color.”   But ask Flores for a single name, and enigmatic Flemish painter Hieronymus (Geronimo) Bosch (c. 1450 – 1516) immediately rolls off his tongue. Enrique’s extraordinary melding of influences then becomes apparent.

 

Despite the elements and styles which some of his works have in common with those of Morales, the impressionists, and certainly Bosch, as a student of the human condition Flores clearly derives his inspiration from a much broader array of sources … studying cultures both past and present in his homeland, and contemporary society elsewhere.  For example while studying in Japan he began experimenting with oriental forms and indicia of culture such as Eastern deities.  He incorporated this knowledge and his own continuous personal growth into his Oaxacan works: “I did a fair bit of pencil and watercolor sketches in my notebooks during that era.  And even today I still occasionally refer back to those drawings when looking for something a bit different or while I’m struggling with how to express myself in a particular work.  At times I’ve juxtaposed constituents of Japanese society with Mexican themes and traditions.”

Over a period of about ten years Flores spent two or three months annually in Montana, using the break from his home environment as a means of both rejuvenating and advancing his creativity.  But it’s been his constant presence in the Mixteca which has been his most significant ongoing inspiration.  He explains: “Huitzo was historically the frontier between the Mixtec and Zapotec cultures, so we have at least three distinct groups, the Mixtec, the Zapotec and right here in Huitzo there’s a combination of the two.” The implications?  In this basket of cultures there is the richness of three worldviews, customs including dress, dance and other manifestations of culture, and perhaps more importantly for an artist such as Flores, differences in physique --- facial structure, stature, hair texture, comport, etc. 

Enrique Flores. Mexican ArtistFlores recognizes the debt of gratitude owed to those who have shaped his creative forces, and in turn his success.  It’s shown in how he returns to the community all that he has received, and more, through his philanthropic gestures. He regularly donates pieces to benefit art auctions.  While occasionally requesting a percentage of revenue of sales of his pieces to help defray costs, on a regular basis he outright donates his works:  “If a city or town has what I consider to be a charity extremely worthy of assistance, and I know that the particular market won’t support lucrative sale prices at auction, then I have no hesitation in simply giving my works to the organizers.”

In acknowledging his profound indebtedness to the likes of Morales, Alcázar and others who have generously provided their time and counsel, Flores responds in kind, giving of himself in whatever way he can to the younger generation of Oaxacan artists.  There are regularly between four and six students from the School of Fine Arts working and studying with him in his workshop:  “They’re welcome to come to my facility to work on their own projects, ask my advice, and simply observe how I work, and pitch in.  In many cases since there’s insufficient equipment at the university relative to the number of students enrolled in the fine arts program, and since most of the students are of modest means and simply don’t own what they need, I let them use anything I have.  My only rules are that on Saturday afternoon at the end of the work week, my shop is left clean and in order, and that my equipment is kept in good condition.” While Flores’ water colors and oils don’t generally require high end or expensive tools of the trade, the same does not hold true of the costly machinery and other products needed to produce lithographs and engravings. 

Oaxacan Artist Enrique FloresThe Flores golden touch is more than a lucky lot in life as a result of having been tutored by the masters, the exposure he’s received through art books and in excess of one hundred gallery exhibitions, and for close to a quarter of a century his knack for producing what has been attracting the buying public:  Enrique Flores has always had a clear vision of what he wants to achieve.

At only 46, most of Flores’ career has yet to unfold. His workshop has been a long-term project, started in 1998. In true Oaxacan fashion, construction has progressed in phases.   But he’s already managed to build a modern, high-ceilinged domed complex where most of his work is carried out.  Although larger and better equipped than most such workshops in the state, Flores intends to proceed with further expansion, clearly a labor of love.  He plans to add a building exclusively for ceramics, since while a gifted ceramicist in his own right, without a kiln and other equipment he must travel to Oaxaca to use a colleague’s facility.  He also wants to expand his relatively new lithograph operation, which will require building out from the existing structure. 

But it will be Enrique Flores’ final two projects, already on the horizon, which will set him apart from most, and contribute to the legacy he will leave to the next generation of Oaxacan artists, and ultimately art collectors everywhere.  Flores proposes to build small apartment units to house art students; and to open a gallery on the premises showcasing his own, but more importantly the works of talented and promising young artists struggling for exposure … once again giving back in the same way he received.

Alvin Starkman resides in Oaxaca, where he writes, leads personalized  tours to the  villages, markets, ruins and other sights,  is a film consultant, and operates Casa Machaya Oaxaca Bed & Breakfast.  ( www.oaxacadream.com ), combining the comfort and service of a Oaxaca hotel with the lodging style of a quaint country inn .

TOP 

RELATED ARTICLES

Alvin Starkman Articles        Chapulines in Oaxaca: Recipe & Primer        Certified Organic Produce in Oaxaca, Mexico        Rabbit Hunting in Oaxaca, Mexico        Oaxacan Chicken Estofado de Miltomate        Best Traditional Mole Verde        Modern Mole Verde        Toronto Duck Recipe        Black Mole from Oaxaca        Oaxaca Documentary Episode 1        Episode 2 - Oaxaca, Mexico        Dining and Indulging in Oaxaca        Mayonnaise in Mexico        Barbequed Goat        Mole Verde Con Espinazo        Mico-logica: Mushrooms in Oaxaca        Regional Wild Mushroom Fair        Mexico's Magical Mushroom Tour        Pilar Cabrera in Toronto        El Tigre Restaurant        Guadua Restaurant        El Mirador Restaurant        La Catrina De Alcala Restaurant        Caldo de Piedra Restaurant        Is it Safe to Travel to Mexico?        Cutting Edge of Mexican Cuisine        Local Molino Cooking Classes        Kid's Cooking Classes in Oaxaca        Sunday, a One-day Gastronomic Delight        Oaxaca Culinary Tour, page 1        Oaxaca Tour Daily Events        Oaxaca, Sunday & Monday        Casa de los Sabores        Enrique Flores: Oaxacan Artist        Pairing Mexican Craft Beer with Mezcal        Mezcal Producers & Sociedad de Mezcaleros        Oaxaca Tradition Trumps Innovation        La Muerte Mezcal in South Africa        ProMexico Promotes Mezcal        National Mezcal Festival        Mezcal Festival: Historical Context        14th Annual Mezcal Festival        Chango Mezcalero        Origin of Chango Mezcalero        In the Fields: Pulque        Pulque Production in Matatlán        Rural Oaxaca Mezcal Production        Mezcal: 5 Generations Of Palenqueros        Mezcal in Oaxaca

 

Home        About Us & Contact Us        Food Articles        Gardening        Marketplace        Food Links

 

Please feel free to link to any pages of FoodReference.com from your website.

For permission to use any of this content please E-mail: [email protected]
All contents are copyright © 1990 - 2015 James T. Ehler and www.FoodReference.com unless otherwise noted.
All rights reserved.
You may copy and use portions of this website for non-commercial, personal use only.
Any other use of these materials without prior written authorization is not very nice and violates the copyright.

Please take the time to request permission.
 

 

 

 

Order Free Food & Kitchen Catalogs

 

 

 

 

 

 

POPULAR PAGES

Beverage Articles
Food Facts & Trivia
Recipe Contests
Local Food Festivals
Recipe Category Index

 

 

Click here to buy posters at Allposters!
Click here to buy posters at Allposters!

 

 

FREE Food & Beverage Publications
An extensive selection of free magazines and other publications for qualified Food, Beverage & Hospitality professionals

 

 

Chef with red wine glass